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Interview: Allen Tvedebrink – The Kandidate

Danish thrash-metallers The Kandidate ready the release of their highly anticipated second album Facing the Immanent Prospect of Death and it promises to be another dose of high octane heavy metal! The band have worked hard on developing their sound, incorporating a ‘more diverse and powerful’ approach from the new line up. I talked to guitarist Allen Tvedebrink about the band’s transition from their debut release, their musical influences that have helped define this album and his take on the current musical climate.

 

Daniel Aston: What can fans expect from your upcoming second album Facing the Imminent Prospect of Death?

Allen Tvedebrink: An energetic, sombre and intense album. Those familiar with our debut will hear that a few things have happened since then. Until We Are Outnumbered was a half hour furious kick in the balls, which really got this band fired up. On the new album you will experience a more diverse and powerful band and a dark malicious atmosphere.

DA: Did the writing process and creation of this new record differ from your debut?

AT: Yeah, but not much. KB and I still write the majority of the material. The really big difference is that NP and Jacob care more than the previous members of the bands, that they’ve replaced. They are actively involved in the arrangements and in that effort and in their playing/singing style, they have a great impact in how and what KB and I are writing.

DA: Where did you gather inspiration for the new material?

AT: Hmm… Inspiration. A hard thing to pinpoint to certain things or artists. We dig and love the same bands and of course we get a lot of inspiration from them, but I think that also everyday life and the stuff you think about and reflect on have a great impact on you as a human being and therefore also the creativity. As I kinda mentioned before, the qualities and talent of the band members has also been a major contributor as a creative unit.

DA: Is there a moment or song on the album that the band are particularly proud of?

AT: Well, that kinda changes day by day. But the overall thing that I’m most proud of on this recording is the correlation of the music, the sound and the lyrics, which for me have resulted in a very special atmosphere.

DA: Give Up All Hope from your debut record was released as the band’s first official music video, can we expect a follow up from the new album?

AT: We are actually working on that as we speak. We have been a bit back and forth with the guys producing it and as it seems right now, it will be something pretty special. But it’s all too early to say anything really, as we haven’t decided on the concept and that might change, and so might the song we picked…

DA: What is your opinion on today’s metal scene and how do you feel The Kandidate fits into that?

AT: I think the metal scene is strong. The diversity and availability have never been greater than now. That speaks to me as a proof of the great demand and amount of fans and followers. The industry may not be as good as it used to be in the term of profit, but to me that was never what music is all about, it’s about artists wanting to express themselves and the audience seeking that.
I love that there are so many talented bands out there. Of course there are a lot of really crappy bands if you ask me, but luckily we all have different preferences and with all the bands around it’s just exiting to go hunting for those special gems. I love that a lot of them has their own expression and that they are serious about their music and touring and playing live.
I believe that we have our own expression and sound and that we are doing our own thing adding to the diversity I’m talking about, and we have the quality to stand out as one of the stronger bands despite we are an underground act.

DA: When would you say was the ‘golden era’ of metal?

AT: I think that there are a lot of different golden eras of metal. As you can probably imagine, I’d like to believe we are in one right now. There were other eras that were golden for the record companies and the bands earning good money on what they do. The bigger bands still do that, but the golden aspect of present time is the availability of the art. Lots and lots of bands are touring and this is where the bands are earning their money nowadays, where you can just download or stream whatever you like. The golden thing about present time is that metal is more recognised be the society and that the fan base is growing and supporting the bands at concerts instead of spending their money on albums.

DA: Do you think new bands struggle in today’s music scene with the current state of the music industry?

AT: I don’t think that bands are struggling more today than earlier. It’s a different struggle but also with a lot of tools that we didn’t have 20 years ago. Modern technology and the especially the internet have made it possible for even the most crappy bands to produce and distribute their offer to the whole world. I guess you can say that bands competed and struggled to earn the favour of record companies where today we compete and struggle to earn the favour of the fans, which to me seem more right.

DA: What advice would you give to bands starting out?

AT: To believe in what you are doing and earn the respect of the fans and other musicians. Grow your network and your relations, and also – and maybe most important – be your own biggest critic! It takes effort and hard work to grow as an artist, but it also takes a great amount of self awareness to succeed. Be yourself and dare to make a difference.

DA: Who would you cite as the band’s main musical influences?

AT: We all listen to many different styles and artists, but of course we also share the same preferences in metal, which combines in our sound. For me, it’s everything from Foreigner over Dream Theater to Autopsy, but I guess that the common denominator for all of us is bands like Entombed, Disfear, Trap Them.

DA: Are there plans for a tour this year, if so where are you going to be playing?

AT: We are going to tour a bit in our home country Denmark, and we are going to China in April. We are working on summer festivals at the moment and we are hopefully going to tour Europe in the fall, and I believe it’s going to happen, but I have no clue where it will take us… Hopefully also UK! We had a blast when we went there with Rotten Sound last year.

DA: If you could only take three albums to a desert island, what would they be and why?

AT: Oh shit, that is a tough one… It would definitely be an Entombed album. If I had to choose, I guess it would be Morning Star, it’s gotta be my favourite all round album by them. I listen to Entombed every week, and I’d hate to live without them. Another classic of mine – and maybe my favourite album that I just keep coming back to – is Slaughter of the Soul by At The Gates. I’ll never get tired of hearing that. It’s got the perfect mix of melody and aggression and fucking brilliant song writing. Last one would be an old hard rock classic of AC/DC, Thin Lizzy or Black Sabbath. Hmm, today I’d probably go with Back in Black.

 

Interview: Kirk Backarach – Iron Fire

Danish metal band Iron Fire prepare to release their seventh studio album on January 27th (Europe) and February 7th (USA) and it will be the third consecutive release for the present line up. The band has seen its fair share of ups and downs over the years with shifting line-ups and clashes with record companies testing the strength of the group’s foundations. However, they now set themselves up to release what is their most anticipated album to date, Voyage of the Damned, via Metal Blade Records. I spoke to guitarist Kirk Backarach to find out more about the upcoming record and discover more behind the roots of the band and what the future holds for their fans.

 

Daniel Aston:  What can fans expect from your forthcoming album, Voyage of the Damned?

Kirk Backarach: With “Voyage of the Damned” You can expect an album like no other Iron Fire album before it. It’s an epic space adventure, with a horror twist, it is also the most eary and symphonic album we’ve done so far, as well as it’s the most well written, I think. And to top it all off we have guest appearances from legendary vocalists such as Nils K. Rue from Pagan’s Mind and Dave Ingram from Benediction.

DA: You’ve fought hard to get where you are today and have overcome many hurdles including consistent line-up changes, how did you find the making of this record compared to the ones previous?

KB: To me this have been one of the most calm and easy going albums, production wise, we’ve done so far, because for the first time we had a good amount of time on our hands to finish things before the different deadlines. Of course… Like always we did some arrangements and some rearrangements in the studio, in the last minute, but this is however how it always is.

DA: This is the current line-up of the band’s third consecutive record together, how does this line-up compare with previous ones?

KB: The current line-up is by far the most effective, when it comes to arranging. With the ones before we tended to choose the easy way out, or just to play it safe instead of going into long arguments about how we each would like it to be. With this line-up I’m sure you will hear on the new album, that we’ve spend a lot of time in rehearsals, to get a little extra detail in the arrangements and variations.

DA: Is there a particular song or moment on this record that the band is particularly proud of?

KB: As a band we are very proud of what we’ve achieved with the new album in its entirety. For my own personal part I’d like to mention the title track Voyage of the Damned. That track in particular have exceeded all of my expectations, because of its structure and the grandeur of the extensive arrangement / orchestral score. Very epic.

DA: You know how hard it can be for a band to get a record deal, with the state of the music industry
today how do you think new bands will be able to cope and achieve their dreams?

KB: Maybe they should try to think a little more out of the box… And I think that in this day and age you have to be extremely persistent and devoted to achieving your goals. This is where the most bands nowadays fail. Otherwise the possibilities of exposure are almost limitless, with the help of the social medias and networks we have today you really can achieve a lot.

DA: What are your plans to tour the new album?

KB: Currently we don’t have any decisive plans, but something will happen, that’s for sure.

DA: There’s no disputing Iron Fire’s dedication and hard work ethic with your string of consecutive releases over the past few years, when and where does the band find time to write new material?

KB: At the moment we are two songwriters in the band, Steene and me (Kirk), I don’t know what Steene does to make things happen.
For me in the early days music was always like an addiction, so I didn’t have any second thoughts about spending a lot of time writing or practising. Nowadays we set a time frame… Let’s say one month, then we both agree that when this month has passed, we both will have to bring two new songs to the table each.

DA: What is your view on today’s metal scene?

KB: I find it more exciting than ever. Never have there been such big variety of different bands and styles like there is today. Any thing you can think of is available. I think that’s very exciting and inspiring.

DA: Has the band ever contemplated a live release?

KB: This is something we’ve never discussed and we have no plans about doing it at the moment.

DA: We look forward to hearing the new album, is there anything you’d like to say to the metal masses?

KB: Look out for the new album, it will really be worth wile, otherwise I’ll be looking forward to seeing you all out there, hopefully within the next year we’ll be playing a venue near you.

Cheers
Kirk Backarach

Interview: Richard Christy – Charred Walls of the Damned

American metal supergroup Charred Walls of the Damned have recently released their highly anticipated second album Cold Winds on Timeless Days receiving rave reviews across the metal community. Richard Christy (Death, Control Denied, Iced Earth), Tim ‘Ripper’ Owens (Judas Priest, Yngwie Malmsteen), Steve DiGiorgio (Death, Control Denied, Testament) and producer/guitarist Jason Suecof join forces in what is undoubtedly one of metal’s most exciting outfits today.

I caught up with drummer and songwriter Richard Christy and found out more about the band, the making of the new album and also the latest on the highly anticipated second Control Denied album.

 

Daniel Aston: Congratulations on the new album, how did the making of the new record compare with Charred Walls of the Damned’s debut?

Richard Christy: This record was much easier to make and went much smoother, not that we had any trouble with the first album, but with the new album, the demo tapes that I wrote and recorded for the album were much more detailed and complex so once we got into the studio we had a very good idea of how this album was going to sound, which made it much easier to record this new album.


DA: The recording process for the new album was completed very quickly with the drums only taking two days, was that a natural occurrence?

RC: I think that’s because we were all very well rehearsed. I played the 12 songs for the album every day for two months on the drums in my rehearsal room in Queens, New York so by the time I was in the studio I knew the drum parts like the back of my hand. It’s the same thing with Steve, Jason, and Tim too, I sent them the demo recordings for the new album about two months before we started recording and they were very well rehearsed by the time we got into the studio and they knew their parts very well. We were able to get a very raw, live, and tight sound on the album because everyone was so well rehearsed.

DA: You wrote the material on this record to cater to each members’ personal playing style, was that a particular challenge or did it help with the writing process?

RC: It definitely helped, when I was working on the vocal melodies for the demo tapes I would definitely think about Tim’s singing style and put plenty of screams and high parts in there because I know he would sound amazing singing in that style. Same with Steve and Jason, I can’t play guitar or bass anywhere near as good as them but when I wrote the guitar and bass parts for the demos I would tell those guys to improve the parts and make them their own and I knew that on the final album the bass, guitar, and vocal parts would sound amazing once Tim, Steve, and Jason played them.

DA: What was your inspiration behind the lyrical content on this album?

RC: It was many different things that inspired the lyrics for this album. It’s just things that I see every day and things that inspire me enough to write lyrics about them. I’m inspired by a lot of things in New York City where I live, like the song “The Beast Outside My Window” which is inspired by the Queensboro Bridge which I can see out of my bedroom window and every day I see it I’m very inspired because I love living in New York City and I’m very thankful that I live here.

DA: What creative input does the rest of the band bring to the song writing process?

RC: Once we get into the studio to record the album they have a lot of input. I originally write all of the music and lyrics and record everything on our demo tapes, but once we get into the studio I tell Jason, Tim and Steve to put in their ideas and suggest any changes or improvements, so once we get into the studio everyone works together to make the songs amazing.

DA: It is perhaps unusual for a drummer to have such a large role in the music writing within a band, how would you describe your own personal writing process?

RC: I’ve been playing guitar since 1992 so my songwriting usually starts with guitar riffs, although my writing process differs from song to song, like the song “Forever Marching On” which was written around a drum beat that I came up with at drum rehearsal one day. Usually though I start with guitar riffs and then build from there. Even though I’m mainly known as a drummer, I also play guitar, keyboards, and bass so I’m able to write songs.

DA: Is there a song or moment on the record that you’re particularly proud of?

RC: I’m very proud of the whole album but if I had to pick one song it would probably be “Forever Marching On”. I love the drum beats in that song and I’m really proud that it was all written around the drums, and I also really love the middle part where it goes from super technical to straight forward and epic in the middle, the middle part in that song gives me chills.

DA: How did the band form originally?

RC: I had been writing songs for fun from about 2004-2008 and when I realized I had enough songs for an album, I decided to call up Steve, Tim, and Jason and ask them to join a band that I was forming and they were totally into it. At first it was something we were just going to do for fun, record an album of songs that I had written and see how it turns out, but once we got a record deal it became much more serious and I knew this band would be around for a long time.

DA: You’ve worked with some iconic bands in your career, how does this supergroup compare to them? Is there ever a battle of egos within the band?

RC: There are no egos at all in this band, that’s why I chose Steve, Tim, and Jason, because they’re super cool down to earth guys and I knew that we would have a lot of fun in this band and there would be no egos. I’ve been very lucky because out of all of the bands I’ve been in, there have never been any egos in any of the bands I’ve been in.

DA: As individuals you all undoubtedly must have heavy schedules but for you and Steve there is a particular interest from the metal faithful to hear the long awaited second Control Denied album (myself included!). Will you both be going back to that project now this album has been completed and do you know when it is likely to be finished?

RC: Yes we’ve actually been working on finishing this album for a while now. The legal issues were finally cleared up a while back and now we’re working on getting everyone from Control Denied’s schedules and also Jim Morris’ schedule situated so that we can finish the album and hopefully it will be ready for release in early 2012! Chuck’s family is working with Relapse records and we’re all very excited about finally finishing this album so the fans can finally hear it!

DA: Can we expect a tour from Charred Walls of the Damned any time soon?

RC: Yes definitely! We’re speaking with some booking agents now about doing a Charred Walls tour in 2012 and also doing some festival shows. I’m so excited to get out on the road and play all of these new songs, and now that we have two albums worth of material to play so we’ll have plenty of metal to bring the fans in 2012. We should have some show announcements very soon at www.RichardChristy.com and www.MetalBlade.com/cwotd!

DA: What’s next for the band?

RC: We filmed a video for the song Zerospan which we will be releasing very soon and I’m so excited about it! It’s going to be like a 5 minute horror movie and people are going to be blown away by it! We’re also planning on touring next year so I’m really excited about that as well! Thank you so much for interviewing me and for all Charred Walls info you can go to www.RichardChristy.com and www.MetalBlade.com/cwotd! Take Care!

Album Review: A Dramatic Turn of Events – Dream Theater

Album: A Dramatic Turn of Events

Release: 2011

Artist: Dream Theater

Label: Roadrunner

Track Listing: 1) On the Backs of Angels 2) Build Me Up, Break Me Down 3) Lost Not Forgotten 4) This is the Life 5) Bridges in the Sky 6) Outcry 7) Far From Heaven 8) Breaking All Illusions 9) Beneath the Surface

Arguably the most anticipated Dream Theater album in quite some time, A Dramatic Turn of Events is the aptly named product of a shaken band. Co-founder, drummer and songwriter Mike Portnoy infamously departed last year on the back of the group’s most successful album in search of a more metallic venture with Avenged Sevenfold. Once he was surprisingly shown the door from that project he was justifiably denied his place back in Dream Theater and the band (after a long drawn out process) recruited former Extreme and Annihilator powerhouse Mike Mangini. Recent reports that Portnoy is now looking to sue his former band mates is casting yet another shadow over the Dream Theater camp, but if not more so over the ex-drummer himself. For this new album is the result of a band bravely marching on, leaving the past behind and embracing a new future. Perhaps their strong defiant approach has left Portnoy more than just a little bitter.

Eager fans will already know the opener On the Backs of Angels since it was released as an early album teaser. Our first glimpse of the new outfit is most impressive. A technically advanced yet musically enjoyable track, the opener proves to be one of the most satisfying Dream Theater tunes in recent years. Beautiful chiming clean guitars marry with the atmospheric keyboard pads and chugging riffs. Build Me Up, Break Me Down is also a success, presenting brutally heavy memorable riffs and catchy chorus lines.

Lost Not Forgotten sees the band return to the technical exploitation that they’ve become renowned for. The complex sections are perfect opportunities for Mangini to prove his worth, complementing shifting rhythmic patterns with his likeable, if not Portnoy-inspired style. Despite the instrumental virtuosity, the track fails to deliver on the melodic side. At ten minutes in length it falls victim of a tried and tested formula that the band have been milking to death over the last decade. Outcry and Breaking All Illusions contain further examples of this.

Bridges in the Sky is a more inspired musical venture. With an intro that contains Tibetan throat singing, harps, oriental chimes and a choir, the track sets itself up to be nothing short of epic. It doesn’t disappoint with the eleven minutes packing in quality riffs and melodies to make it easily one of the most playable tunes on the record. The inspiration is also found on the tender ballad Far From Heaven. The single-length song contains a believable performance from James LaBrie accompanied by piano and strings. A much more stripped-down song, it proves to be one of the album’s most enjoyable. Beneath the Surface has the same approach, the band proving that they can do just fine without a drummer at all.

If fans had any doubts that Dream Theater would struggle without Portnoy then they can breathe a sigh of relief. A Dramatic Change of Events contains some great material and much promise for where the band may grow with future releases. This is one of their more enjoyable records in recent years and a strong one at that.

 

Rating: [7/10]

 

TTT:

1)      On the Backs of Angels

2)      Far From Heaven

3)      Bridges in the Sky

 

Reviewed by: Daniel Aston, 22/09/2011

Album Review: Juggernaut of Justice – Anvil

Anvil_-_Juggernaut_of_Justice

Album: JUGGERNAUT OF JUSTICE

Release: 2011

Artist: Anvil

Label: The End Record

Track Listing: 1) Juggernaut of Justice 2) When Hell Breaks Loose 3) New Orleans Voodoo 4) On Fire 5) FuckenEh! 6) Turn it Up 7) This Ride 8) Not Afraid 9) Conspiracy 10) Running 11) Paranormal 12) Swing Thing

Upon hearing the name ‘Anvil’ some will either snigger at images of frontman, Lips, playing his guitar with a dildo before a festival audience in the eighties, or warm to the band that won so many hearts with their 2008 documentary Anvil: The Story of Anvil. The documentary in question was an unprecedented career revamp for a band that had been pretty much invisible for over twenty years. It showed the true dedication of a group that has struggled to be taken seriously, and revealed their die-hard passion and love for the music they create and the dream of being rock stars. However, all that hard work and relentless touring needs quality to back it up, and now more than ever the band need a solid album to prove their worth. With the first album since their award-winning film and the fourteenth record in their career, can Juggernaut of Justice make an impression upon today’s metalheads?

The record opens up strongly with the title track, When Hell Breaks Loose and New Orleans Voodoo all containing powerful riffs, flashy guitar solos and strong vocal performances. Anvil’s old-school thrash riffs sound particularly poignant thanks to the album’s great production, something that a lot of their later self-released records lacked. On Fire and FuckenEh! are respectable metal numbers, the latter a real live anthem (as the title suggests). The album dips significantly during the half-way point with Turn it Up and This Ride sounding like fillers, but Not Afraid, Conspiracy and Running succeed in reviving the tempo and maintaining the same quality as the opening numbers.

Paranormal almost threatens to outstay its welcome at over seven minutes long. It’s a slice of doom metal that sees the band tread back into the realms of unintentional parody with Lips’ vocal lines sounding like something out of a cheesy horror b-movie. Things at this point needed to be uplifted by another thrash gem; unfortunately the band had other ideas. Instrumental album closer Swing Thing feels completely out of place with brass sections playing a surprisingly heavy role. Despite the randomness of the finale, it only adds to the charm of the record which contains all of what’s great about Anvil: full on metal and passionate musicianship held together with an admirable sense of humour.

For fans of the band, Juggernaut of Justice most certainly won’t disappoint. As for newcomers, this album is well worth checking out. It’s the solid effort that the band needed and although nothing on the album particularly stands out as being a classic, it still delivers a level of consistency that makes it an enjoyable listen. With the majority of Anvil’s back catalogue being reissued apart from their sole classic Metal on Metal, this is a good place to start your collection.

It’s hard to say whether Anvil will be seen as a credible force in today’s metal scene, but with the Big Four touring together and revamping thrash metal around the globe, this is the best time for them to step back into the spotlight. Forget everything you previously associated with the band: the dildos, the laughable stage gear and the comedic song titles, and approach Juggernaut of Justice with an open mind. If you do that, chances are you’ll be pleasantly surprised by what is a commendable album.

 

Rating: [7/10]

 

TTT:

1)      Juggernaut of Justice

2)      When Hell Breaks Loose

3)      Not Afraid

 

Reviewed by: Daniel Aston, 01/08/2011